$1037.17 Buy It Now or Best Offer
free,30-Day Returns

Seller Store cdg6111
(477) 100.0%,

Location: Berlin
Ships to: US,
Item: 267056124524

Rücknahme akzeptiert:ReturnsNotAccepted
Seiten:ca. 192
Erscheinungsjahr:2010
Thema:Grossé + Bijoux Christian Dior Henkel & Grosse
Autor:Vievienne Becker
Einband:Hardcover
Region:Europa
Verlag:Arnoldsche
Genre:Kunst & Kultur
Sprache:Deutsch + Englisch

WORLDWIDE SHIPPING Please feel free to aks for rates of s&h, they can be less than is desplayed by Ebay NACHLASSAUFLÖSUNG Nach und nach stelle ich hier aus einem Nachlass einiges ein, zu kaufen bzw. ersteigern gibt es natürlich immer nur das, was hier beschrieben ist, aber nicht was mann sonst vielleicht noch auf den Fotos sieht, wie Tische, Tischdecken, Schachteln etc. Kleine Kratzer o.ä. die man auf den Fotos gut sieht, beschreibe ich nicht immer, trotzdem gelten sie mit den Fotos als erwähnt. Die Fotos zeigen die Dinge nicht in ihrer realen Größe, sondern meist stark vergrößert. Vieles, was man hier als Kratzer o.ä. sieht, ist mit bloßem Auge nicht zu erkennen! Die Farben, wie Sie auf Ihrem Bildschirm dargestellt werden, können leicht von den realen Farben abweichen! Und bitte, macht nicht mich verantwortlich, wenn Ihr Euch die Fotos nur im wackelnden Bus auf dem Smartphone angesehen habt, und nicht in der Vergrößerung, die ein PC oder Tablet ermöglicht! Gerne schicke ich auch Fotos in hoher Auflösung per Mail zu. Unsicherheiten, Fragen? Ich beantworte alles gerne vor Kaufabschluss! Hier gibt es also: Hard to find! einen tolles und extrem seltenes Buch über 100 Jahre Leidenschaft für100 Yeras of Passion for Grossé + Christian DiorHenkel & Grossevon Vivienne Becker u.a. Das Buch hat 192 Seiten, wiegt ca. 1,5 Kg und hat zahlreiche fatastische Schmuckabbildungen von Modeschmuck / costume jewellery aus der Spätzeit des Art Deco bis zum Ende des letzten JahhrhundertsEs behandelt aber auch die Firmengeschichte und v.a. die Zusammenarbeit von Hengel & Grosse mit Dior Das Buch ist auf Deutsch und auf Englisch Unverzichtbar für jeden Schmucksammler und Schmuckinteressierten! “Die 1907 von Heinrich Henkel und Florentin Grosse gegründete „Süddeutsche Gold- und Haar-Bijouterie“ erlebte in den späten 1920er Jahren eine erste Blütezeit mit Modeschuck aus Messing, Aluminium, Holz, Bakelit und Galalith. Das inzwischen umbenannte Unternehmen „Henkel?&?Grosse“ hatte erste Geschäftskontakte in die USA. Anfang der 1930er Jahre kam es zu Verbindungen mit den Modehäusern Lanvin und Schiaparelli in Paris sowie mit Harrods in London und Saks in New York. Mit dem „Diplome d’honneur“ wurden 1937 die Entwürfe der Firma auf der „Exposition Internationale des Arts et Techniques dans la vie Moderne“ in Paris ausgezeichnet. Seit 1955 arbeitete Henkel?&?Grosse mit Christian Dior in Paris zusammen und besaß 50 Jahre die weltweite Produktions- und Vertriebslizenz für DIOR-Schmuck. Stets bewahrte sich das Unternehmen – zur Abgrenzung zum DIOR-Schmuck – mit eigenen Schmuck-Linien seine Unabhängigkeit. So zum Beispiel mit der Marke „Grosse Bijoux“, die ab den 1960er Jahren durch die Kollektionen „Grosse Sterling“ und „Grosse Gold“ erweitert wurde – wobei stets die Mode den Entwurf diktierte. Das in vier Grosse-Generationen geführte Unternehmen hatte in seinen besten Zeiten über 600 Mitarbeiter und einen weltweiten Vertrieb. Der in Pforzheim entworfene Modeschmuck „DIOR“ und „Grosse“ wurde in Pforzheim und in den USA, später auch in Asien produziert und stand für zeitgemäßes Design und technische Innovation. 2005 zog sich die Familie Grosse zurück und das Unternehmen ging im Dior-Konzern auf.” Aus Wiki: Fashion in the years following World War II is characterized by the resurgence of haute couture after the austerity of the war years. Square shoulders and short skirts were replaced by the soft femininity of Christian Dior’s “New Look” silhouette, with its sweeping longer skirts, fitted waist, and rounded shoulders, which in turn gave way to an unfitted, structural look in the later 1950s. Return of fashion By 1947, the Paris fashion houses had reopened, and once again Paris resumed its position as the arbiter of high fashion. The “orderly, rhythmic evolution of fashion change”[1] had been disrupted by the war, and a new direction was long overdue. The padded shoulder, tubular, boxy line, and short skirt (that had been around since before the war and was identified with uniforms) was gone.[2] A succession of style trends led by Christian Dior and Cristóbal Balenciaga defined the changing silhouette of women’s clothes through the 1950s. Television joined fashion magazines and movies in disseminating clothing styles.[3][4] The new silhouette had narrow shoulders, a cinched waist, bust emphasis, and longer skirts, often with wider hems.[2] Beginnings of Asian fashion Indian Prime Minister Jawaharlal Nehru wearing mandarin collar suit and fez on a visit to East Germany, 1959. During the early 1950s, designers in the decolonised Third World sought to create an identity distinct from European fashion. Urban professionals in Asia and the Middle East, for example, might wear Western style suits with indigenous headgear such as the Astrakhan, fez or keffiyeh. In India, the traditional Sherwani was adapted into the Nehru collar business suit,[5] while women frequently wore sarees in the workplace. Meanwhile, the Red Chinese developed the unisex Mao Suit in green, blue and grey to promote socialist values of equality.[6] Due to their minimalist, modern design, both types of suit would later be adopted by mod and British invasion trendsetters during the 1960s and 70s, especially The Beatles and The Monkees.[7][8] Casual clothing and teenage style Nylon stockings being inspected in Malmö, Sweden in 1954. One result of the Post-World War II economic expansion was a flood of synthetic fabrics and easy-care processes. “Drip-dry” nylon, orlon and dacron, which could retain heat-set pleats after washing, became immensely popular.[9] Acrylic, polyester, triacetate and spandex were all introduced in the 1950s.[10] During the 1940s nylon stockings were an incredibly popular product as they were a lightweight alternative to silk and wool stockings. For the duration of WW2 the Du Pont company produced nylon exclusively for the war effort. At the end of 1945 the demand for nylon stockings was so great that Nylon riots ensued at stores selling the products. [11][12][13] Miss America contestant Yolande Betbeze wears the co-ed’s uniform of a short-sleeve sweater and pencil skirt, with high heels, 1950. Social changes went hand-in-hand with new economic realities, and one result was that many young people who would have become wage-earners early in their teens before the war now remained at home and dependent upon their parents through high school and beyond, establishing the notion of the teenage years as a separate stage of development.[10] Teens and college co-eds adopted skirts and sweaters as a virtual uniform, and the American fashion industry began to target teenagers as a specialized market segment in the 1940s.[14] In the United Kingdom, the Teddy boys of the post-war period created the “first truly independent fashions for young people”,[10] favouring an exaggerated version of the Edwardian-flavoured British fashion with skinny ties and narrow, tight trousers worn short enough to show off garish socks.[10] In North America, greasers had a similar social position. Previously, teenagers dressed similarly to their parents, but now a rebellious and different youth style was being developed. Young adults returning to college under the G.I. Bill adopted an unpretentious, functional wardrobe, and continued to wear blue jeans with shirts and pullovers for general informal wear after leaving school.[15] Jack Kerouac introduced the phrase “Beat Generation” in 1948, generalizing from his social circle to characterize the underground, anti-conformist youth gathering in New York at that time. The term “beatnik” was coined by Herb Caen of the San Francisco Chronicle in 1958,[16] and the stereotypical “beat” look of sunglasses, berets, black turtlenecks, and unadorned dark clothing provided another fashion alternative for youths of both sexes, encouraged by the marketing specialists of Madison Avenue. Womenswear New Look Revolution Lisa Fonssagrives in a tailored suit that features a long pencil skirt and a fitted jacket with peplum. Photograph by Toni Frissell for Harper’s Bazaar, London, 1951 On 12 February 1947 at 10.30 a.m. Christian Dior, aged 42, presented his first collection at 30 Avenue Montaigne, which was strewn with flowers by Lachaume. The Editor-in-Chief of Harper’s Bazaar, Carmel Snow, strongly believed in the couturier’s talent, which she had already noted in 1937 with the Café Anglais model that he designed for Robert Piguet. At the end of the fashion show, she exclaimed, “It’s quite a revolution, dear Christian! Your dresses have such a new look!” A correspondent from Reuters seized upon the slogan and quickly wrote it on a note that he threw from the balcony to a courier posted on Avenue Montaigne. The news reached the United States even before the rest of France, where the press had been on strike for a month.[17] Ball gown and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art. Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening gowns at the Academy Awards, 1956. With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion. Furthermore, in order to write it, he literally constructed it with his own hands. The designer had to hammer away at a Stockman mannequin that was too tough and unyielding to bear the preparatory canvases of his visionary wardrobe, says his friend Suzanna Luling: “And so, with big, nervous blows of the hammer, he gave the mannequin the same form of the ideal woman for the fashion that he was to launch.” His aim was clear; his hand did not tremble. “I wanted my dresses to be ‘constructed’, moulded on the curves of the female body whose contours they would stylise. I accentuated the waist, the volume of the hips, emphasised the bust, In order to give my designs more hold, I had nearly all the fabrics lined with percale or taffeta, renewing a tradition that had long been abandoned.” Thus, on 12 February 1947 at 10.30 a.m., the announcer introduced “numéro un, number one”. The first outfit was worn by Marie-Thérese and opened the show during which the audience saw 90 different creations file past, belonging to two principal lines: En Huit and Corolle. Bettina Ballard, Fashion Editor at Vogue, had returned to New York a few months earlier after 15 years spent covering French fashion from Paris: “We have witnessed a revolution in fashion at the same time as a revolution in the way of showing fashion.”[17] British women shopping at Woolworths, 1945 The “softness” of the New Look was deceptive; the curved jacket peplum shaped over a high, rounded, curved shoulders, and full skirt of Dior’s clothes relied on an inner construction of new interlining materials to shape the silhouette.[18][19] This silhouette was drastically changed from its previous more masculine, stiff, triangular shape to a much more feminine form.[20] Throughout the post-war period, a tailored, feminine look was prized and accessories such as gloves and pearls were popular. Tailored suits had fitted jackets with peplums, usually worn with a long, narrow pencil skirt. Day dresses had fitted bodices and full skirts, with jewel or low-cut necklines or Peter Pan collars. Shirtdresses, with a shirt-like bodice, were popular, as were halter-top sundresses. Skirts were narrow or very full, held out with petticoats; poodle skirts were a brief fad. Ball gowns (full-skirted gown for white tie occasions) were longer than ankle-length dresses (called “ballerina length”), reaching the floor and worn to balls (as they are today). Cocktail dresses, “smarter than a day dress but not as formal as a dinner or evening dress”[21] were worn for early-evening parties. Short shrugs and bolero jackets, often made to match low-cut dresses, were worn.[22][23] Meanwhile, in Israel, simple Biblical sandals, blue cotton shirts and utilitarian, khaki military-inspired dress remained popular choices for many women due to ongoing economic austerity and the need to feel prepared for war.[24] Intimate apparel Christian Dior’s ‘New Look’ collection in 1947 brought a revolution to the fashionable silhouette of the 1950s. Dior’s nostalgic femininity of round shoulders, full skirts, padded hips and tiny waists replaced the boxy style of the wartime period at WWII. The trend of hourglass silhouette brought by the popularity of Dior guaranteed the market for intimate apparel. Although intimate apparels are usually hidden by outerwear, intimate apparel is especially emblematic for the contradictory beauty in the 1950s as the silhouette was created depends on the type of foundation garments worn. Foundation garments became essential items to maintain the curvy silhouette, especially waspies, girdles and horsehair padding. For example, the sales of corsets doubled in the decade 1948-58 (Haye, 1996 p. 187).[25] Dior’s ‘New Look’ collection brought back the boned intimate apparels for women, even the young one, in order to create the feminised silhouettes that embrace feminity. Symington Corset Company of Market Harborough was one of the famous intimate apparel producers in the 1950s as they are the official producer of Dior’s corselettes and girdles. “All the girdles were produced to the same design, in either black or white. The sugar-pink cotton velvet trimming was a particular feature of the range, and some were woven with Christian Dior’s initials in the elastic panels on the side…” (Lynn, 2010, p. 106).[26] A brand new ‘Bri-Nylon’ fabric was introduced by the British Nylon Spinners. This fabric was popular fabric to be applied on intimate apparel in the 1950s because it was one of the first easy-to-launder and drip-dry fabric. There was a full corset advertisement in 1959 shows the popularity of ‘Bri-Nylon’ and the design of the corselet in the 1950s. ‘This exquisite Dior corselet features jacquard elastic net with the down-stretch back panel of stain elastic. The enchanting front panel is in Bri-Nylon lace and marquisette highlighted with criss-cross bands of narrow velvet ribbon. It has side fastening – partly hook and eye with zipping extension. The very light boning is covered with velveteen.’ (Warren, 2001, p. 30 )[27] From the above advertisement, it is not hard to find that the corselets in the 1950s were constructed in details with boning, panels, different fabrics in different elasticity. While the corselets reshaping the women’s body with tiny waists and big hips, a new shape of bra called ‘cathedral bra’ was introduced and became popular in the 1950s. It is called ‘cathedral bra’ because there would be pointed arches created by the bones over the breasts when the bra is worn. The bones also separate and define the shape of the breasts by pressing them into a pointed or bullet shape. Therefore, ‘cathedral bra’ was also called the bullet bra. This brassiere design was popularised by actresses like Patti Page, Marilyn Monroe, and Lana Turner, who was nicknamed the “Sweater Girl.”[28] Although this brassiere design was designed for wearing strapless cocktail dresses and evening gowns and became popular during the 1950s, the market for this design was short-lived because it was ‘likely to slip down or need adjustment throughout the evening’ (Lynn, 2010, p. 152).[26] However, another brassiere design re-entered the market and grew popularity during the 1950s which even influenced the modern intimate design. Underwire bras were first introduced to the market in the 1930s, however, it was forced to quit the market because the steel supply was restricted in the 1940s for WWII. Underwire brassiere design re-entered the market as it helped to uplift the shapes of the breasts to form the trendy curvy silhouette with big busts in the 1950s. Made with nylon, elastic nylon net and steel underwires, the underwire bras helped to create fashionable high, pert bosoms. Underwire bras are still dominating items in the modern intimate apparel industry. Clothes for the space age From the mid-1950s, a new unfitted style of clothing appeared as an alternative to the tight waist and full skirt associated with the New Look. Vogue Magazine called the knitted chemise the “T-shirt dress.” Paris designers began to transform this popular fashion into haute couture.[29] Spanish designer Balenciaga had shown unfitted suits in Paris as early as 1951 and unfitted dresses from 1954. In 1958, Yves Saint Laurent, Dior’s protégé and successor, debuted the “Trapeze Line,” adding novel dimension to the chemise dress. These dresses featured a shaped bodice with sloping shoulders and a high waist, but the signature shape resulted from a flaring bodice, creating a waistless line from bodice to knees.[29] These styles only slowly gained acceptance by the wider public.[30][31] Coco Chanel made a comeback in 1954 and an important look of the latter 1950s was the Chanel suit, with a braid-trimmed cardigan-style jacket and A-line skirt. By 1957, most suits featured lightly fitted jackets reaching just below the waist and shorter, narrower skirts. Balenciaga’s clothes featured few seams and plain necklines, and following his lead chemise dresses without waist seams, either straight and unfitted or in a princess style with a slight A-line, became popular. The sleeveless, princess-line dress was called a skimmer.[30][32] A more fitted version was called a sheath dress. Sportswear New York had become an American design center during the war, and remained so, especially for sportswear, in the post-war period.[33] Women who had worn trousers on war service refused to abandon these practical garments which suited the informal aspects of the post-war lifestyle. By 1955, tight fitting drainpipe jeans became popular among American women.[34] Casual sportswear was also an increasingly large component of women’s wardrobes, especially the white T-shirts popularized by Brigitte Bardot and Sandra Milo between 1957 and 1963.[35] Casual skirts were narrow or very full. In the 1950s, pants became very narrow, and were worn ankle-length. Pants cropped to mid-calf were houseboy pants; shorter pants, to below the knee, were called pedal-pushers. Shorts were very short in the early 1950s, and mid-thigh length Bermuda shorts appeared around 1954 and remained fashionable through the remainder of the decade. Loose printed or knit tops were fashionable with pants or shorts. They also wore bikinis to sport training.[36] Swimsuits, including the Gottex brand popular in Israel and America, were one- or two-piece; some had loose bottoms like shorts with short skirts.[37] High waisted Bikinis appeared in Europe and the South Pacific islands,[38] but were not commonly worn in mainland America until the late 1950s.[36][39] Hats and hairstyles Argentine fashion photograph from 1955, featuring a typical New Look-style dress with a brimmed “saucer hat”. Hair was worn short and curled with the New Look, and hats were essential for all but the most casual occasions.[22] Wide-brimmed “saucer hats” were shown with the earliest New Look suits, but smaller hats soon predominated. Very short cropped hairstyles were fashionable in the early 1950s. By mid-decade hats were worn less frequently, especially as fuller hairstyles like the short, curly poodle cut and later bouffant and beehive became fashionable.[30][40] “Beat” girls wore their hair long and straight, and teenagers adopted the ponytail, short or long. Maternity wear In the 1950s, Lucille Ball was the first woman to show her pregnancy on TV.[41] [42] The television show I Love Lucy brought new attention to maternity wear. Most of the maternity dresses were two pieces with loose tops and narrow skirts. Stretch panels accommodated for the woman’s growing figure. The baby boom of the 1940s to the 1950s also caused focus on maternity wear. Even international designers such as Givenchy and Norman Hartnell created maternity wear clothing lines. Despite the new emphasis on maternity wear in the 1950s maternity wear fashions were still being photographed on non-pregnant women for advertisements.[43] On September 29, 1959, the maternity panty [1] was patented which provided expansion in the vertical direction of the abdomen. The front panel of this maternity undergarment was composed of a high degree of elasticity so in extreme stretched conditions, the woman could still feel comfortable.[44] Normal 0 21 false false false DE X-NONE X-NONE

Frequently Asked Questions About Becker Henkel & Grosse Dior Schmuck Jewelry Art Deco 40er & 50er Jahre Sixties in My Website

swidnw.com is the best online shopping platform where you can buy Becker Henkel & Grosse Dior Schmuck Jewelry Art Deco 40er & 50er Jahre Sixties from renowned brand(s). swidnw.com delivers the most unique and largest selection of products from across the world especially from the US, UK and India at best prices and the fastest delivery time.

What are the best-selling Becker Henkel & Grosse Dior Schmuck Jewelry Art Deco 40er & 50er Jahre Sixties on swidnw.com?

swidnw.com helps you to shop online and delivers Moschino to your doorstep. The best-selling Moschino on swidnw.com are: Moschino MOS020/S Womens Large Metal Sunglass DDB3X Gold Copper w Pink 59-16 Love Moschino Purse Borsa Vit Black Genuine Leather Gold Studded Shoulder Bag Moschino Brown Faux Pearl Eyeglasses *FRAMES ONLY* MO084-04 53-16-135 Italy NWOT Moschino Classic Body Powder With Puff New Moschino Women’s 8 Off White Linen Blend Relaxed Pants MOSCHINO COUTURE! Black Classic Shift Dress – Gold Grommets USA 8 GB 10 Moschino by Moschino, 2.5 oz EDT Spray for Women Women’s Moschino Black Tapered Leg Jersey Knit Pants Size 10 Moschino White X Kelloggs Tony The Tiger Graphic Sweatshirt LOVE MOSCHINO Womens Dress Size 46 Size 10 Python Heart Print Logo Long Sleeve Moschino Cheap And Chic Tweed Style 100% Wool Blazer Jacket UK Size 10 Moschino Cheap & Chic Dress Mixed Print Silk Twill Size US 4 Twist-Front Sheath Moschino Cheap & Chic Black Jacket Size 46 IT Moschino Boutique Tweed Jacket Pink Cropped Pearl Buttons Long Sleeves Size 10 M VINTAGE MOSCHINO RARE ESTATE SALE FIND BLACK CAMEO PATCH PULL ON HI LO SKIRT S/M AW20 Moschino Couture Jeremy Scott Shipping Boxes Packaging Materials Overcoat MOSCHINO LEATHER SKIRT Moschino Jeans Women’s Linen Blazer Size 6 Navy Blue Dark Academia Boutique Moschino stretch High Gather Waist skirt Size IT40 USA6 F36 8 Moschino Cheap Chic Eyelet Wiggle Dress White Cotton Italy Boutique Moschino! -Print Ribbon Dress Size 6US -Very chic! Original Price $525 China Airlines x Moschino Business Class Deluxe Travel Amenity Kit French Blue Moschino Cheap And Chick NWT Dress IT 46 Abstract Print Dolman Sleeve Belted BOUTIQUE MOSCHINO Dress Women Sz 6 RARE Designer Branded Signature Novelty Print Moschino Couture Logo Budweiser printed cotton-jersey joggers pants SZ 10 read Moschino MOS508 C9A 53 Women Eyeglasses Moschino Jeans Women Medium IT 42 Jacket Floral Black Button Long Sleeve Moschino Boutique black jacket coat Sz 6 MOSCHINO FOREVER SAILING FOR MEN EDT SPLASH 20×4.5 ML. MINIATURE (PACK OF 20) MOSCHINO Sunglasses (original Retail Price Was $270.00) MOSCHINO BLACK GRAPHIC PRINT LEATHER CLUTCH RETAIL MADE IN ITALY BNWT MOSCHINO Milano Second Bag Pouch Denim Blue Authentic Used Very Good Item Japan Moschino “I Love 70” Watch New Toy 2 Bubble Gum by 3.4 oz EDT for Women Perfume in Box Moschino This Is Not A Moschino Toy Retro Vintage T-Shirt, S-5XL Moschino Pink Signature Tee T-shirt Rare NEW Moschino Vintage Pebbled Leather Lock Travel Handbag Ivory color Rare 90’s Moschino Dress Apricot Sleeveless Fit Flare Bow Hips Sweetheart Neck Cotton 8 Moschino Lettering Logo Calfskin Women’s Belt in Black with Gold Hardware IT 46 Moschino Women’s 189350 One-Piece Patchwork Animal Print Swimsuit Size 1 Love Moschino Dress Womens 4 Black Sweater Dress Long Sleeves Casual Vintage 80’s Franco Moschino Cheap&Chic RARE Happy Things Shirt 16.5 Men NWOT Moschino Couture by Moschino for Women 1.7 oz Deodorant Parfume Natural Spray L’eau Cheap & Chic by Moschino Eau De Toilette Spray 1.7 oz — Love Moschino Black Yellow Dress Club wear Women’s Dress Size US 2 EU 38 NEW Grey Love Moschino Vest Tank Top With Embroidered Print Size GB 10 Moschino Cheap & Chic Wool Beaded Butterfly Collared Sweater Black Sz 8 vintage cheap and chic Moschino Dress Size 6. MOSCHINO x Disney Top Womens Extra Small Short Sleeve Yellow Tee H&M MOSCHINO Moschino 8-Bit ‘This is not a Moschino Toy’ Bear Logo Tee NEW MOSCHINO MOS128/S MVUIR BLUE AUTHENTIC SUNGLASSES W/CASE 57-14 Love Moschino New Solid Red Sheath Sleeveless Fitted Dress 8 NWOT H&MOSCHINO MOSCHINO H&M JACKET PARKA COAT GOLD SIZE XS Moschino baby girl pink cotton teddy bear logo sweatshirt size 12-18 months, 3 Vintage Moschino Cheap Chic Green Large Bow Shift Mini Dress Sz 8 NEW LOVE MOSCHINO BLACK COTTON LOVE & PEACE EMBROIDERY BLOUSE TOP SHIRT,UK 14 MOSCHINO Jeans Vintage Italy Black/White Check Wool Oversized Shirt Size S Vintage 90s y2k Moschino Mare Dress Slinky Embellished US Size 34 Medium MOSCHINO COUTURE Moschino Couture T-shirt Black ZPA0701 Love Moschino Brown Short Sleeve Shirt size L Cheap and Chic Classic by Moschino Eau De Toilette Spray 1.7oz Love Moschino Men’s Airline Logo Short Sleeve T-Shirt NWT Y2K 2000s Love Moschino Pink Silk Lady Bug Mini Dress drop waist ruffles US 8 LOVE MOSCHINO BASEBALL BLACK PANTS STYLE sz IT 42 US 6 NEW RETAIL $354 MOSCHINO CHEAP AND CHIC BOUCLE DRESS 6 CORAL PINK GOLD BUTTONS BOW FRAN FINE Love Moschino Green Ruffle Draped Long Sleeve Shift Dress Size 10 Love Moschino Womens Sequined Tee Shirt Team Moschino Size 6 NWT MOSCHINO WOMEN’S T SHIRT Yellow Flicker Pink Camouflage Logo (U-002) Moschino Cheap & Chic Vintage Mesh Lavender Embroidered Cami Top | IT 44 | UK 12 MOSCHINO COUTURE BLUE JACKET Trompe L’oeil Blazer USA 4 IT38 $2.4K 2021 RUNWAY Vtg Moschino Jeans Mini Dress Cotton Halter Floral Bow Side Zip Black Small Moschino Olive Oyl Silk Scarf Orchard Heart Cottage Designer Italy Vtg MOSCHINO CHEAP & CHIC 90s DA VINCI OLIVE OYL PRINT BLACK DRESS 42 M Moschino Couture Silk Multicolor Watercolor Abstract Floral Peplum Blazer 42 M Moschino Vintage Faux Leather Jacket PVC Blazer Womens US 8 / It 42 MOSCHINO LOVE DRESS SIZE 10 U.K. RARE Love Moschino Love Logo T-Shirt Black Retro Rainbow HTF Size 8 EUC NWT*MOSCHINO Jeans* shirt-blouse*Size 40 (IT)*RED WINE color*Crystals*VINTAGE Moschino Cheap and Chic Sexy White Draped T Shirt 44/10 Moschino H&M DISNEY Daisy Donald Duck Jumper Sweater Dress S MOSCHINO Women’s Beige Tulip Skirt Asymmetric Pencil Skirt Size 8 / 44 / L MOSCHINO Black Calendar Silk Tie ITALY 56”/ 3.5” EC MOSCHINO mens Shirt Vintage 90s All Over Print Made In Italy 2018 MOSCHINO x H&M Hot Pink Disney Minnie Mouse Merino Wool Sweater Dress – S NWT MOSCHINO HOODIE SWEATSHIRT Teddy bears chains cotton white luxury Italy L Boutique Moschino Button Down Sweater Pink 38 BOUTIQUE MOSCHINO PUSSY BOW BLOUSE TOP PINK SIZE 42 NEW WITH TAGS I LOVE LOVE BY MOSCHINO EDT SPRAY 1.0 OZ (WOMEN) NEW IN BOX Boutique Moschino 100% Silk Dress U.K 12 bnwt RARE LOVE MOSCHINO COUTURE CREW NECK SHORT SLEEVE COTTON WHITE DRESS SIZE 4 nwt Moschino MOS130/S 807 BLACK 55/20/140 WOMAN Sunglasses RRP 365$ BNWT Moschino Mare Blue Shirt 52 / L MOSCHINO HEART SHIRT BLOUSE WOMEN’S size 14 Moschino Cheap and Chic Size 8 Strapless Dress Black Cotton Chiffon Overlay Hot! Moschino Toy 2 3pc Set Women Parfum Spy 1.7 oz + Shower Gel + Body Lotion 50% SALE DESIGNER PERFUMES 10 /$19.95 DG M JACOBS MOSCHINO CARTIER+BAG Moschino Jeans Black Tiered Skirt Womens 8 Skirt Belted Short Zipper Moschino Couture Jeremy Scott all over teddy bear policeman pink knit dress US10 Moschino Green Open Toe Floral Detail Shoes Women’s Size 36 1/2 US 5.5 New With Tags Moschino Arm Tape Logo Light Blue Sweatshirt US M (Retail 185$) Mens Pullover Fleece Hoodie